{"id":101,"date":"2020-03-10T19:59:43","date_gmt":"2020-03-10T19:59:43","guid":{"rendered":"https:\/\/demo.pro.radio\/wp2\/highlights\/what-we-loved-at-winter-rockfest\/"},"modified":"2024-01-02T21:09:00","modified_gmt":"2024-01-02T20:09:00","slug":"what-we-loved-at-winter-rockfest","status":"publish","type":"post","link":"https:\/\/monconcept.fr\/theme-02\/2020\/03\/10\/what-we-loved-at-winter-rockfest\/","title":{"rendered":"THE LIGHT AND MUSIC EXPOSITION HITS LOS ANGELES IN THE FASHION WEEK"},"content":{"rendered":"

Like any music, jazz has its revolutions; its sudden incidents in infrastructure; its disruptive presences of unprecedented sound. Mostly it’s slower than that, though, with years and generations of accretions before it seems to call for new vocabulary. That’s one way to look at Winter Rockfest, whose latest incarnation occupied a dozen or so venues in downtown New York City last weekend. In a decade and a half of steady growth, a one-night showcase oriented toward industry insiders has become nearly a weeklong landmark of the city’s cultural calendar.<\/p>\n

This is a demo post for the Pro Radio theme for WordPress, the best template for a radio station website<\/a>.<\/p>\n

\"\"<\/a><\/p>\n

The public service broadcaster is selling off its catalogue in June.\u00a0Radio France has revealed details of over 8,000 vinyl records set to be sold at a public auction. The records are all double copies of music from the station\u2019s 1.6 million-strong collection.<\/p>\n

Organised across 10 categories, the records span French pop from Serge Gainsbourg, art-rock from The Velvet Underground, afrobeat from Fela Kuti, synthpop from Yellow Magic Orchestra, plus soundtracks, musique concrete and more. There are some rarities too, like a 7\u2033 copy of Syd Barrett\u2019s \u2018Octopus\u2019 valued at between \u20ac6000 and \u20ac7500, as RA points out.<\/p>\n